🤎 @aliyatazi
Aliya Tazi
“Casablanca by way of everywhere.”
Consulting (allegedly) · Perpetually in transit Casablanca · Paris · wherever 🤎 aliya@
26
Followers
12
Posts
7
Series
4
Cast
Who they are
Aliya Tazi, 25, Moroccan-American — born in Casablanca, raised largely in the States, now living out of three cities and a suitcase. She describes her job as "consulting" and has never once specified for whom.
Where Hadley performs serenity, Aliya performs competence. She is always just off a call, always between two places, always the one who booked it. The flex is not the suite — it is that she never appears to have arranged anything, and everything is arranged.
She is genuinely cosmopolitan in a way the genre usually fakes: she actually speaks three languages, actually knows which door to use, actually has an opinion about the food. That competence is what makes the emptiness funny rather than sad — she is extremely good at a life that amounts to almost nothing.
The work
The formats
Landed
The city change, announced as a fact rather than an event. Paris to Marrakech to Beirut and back.
biweekly · post
Six Words
One photograph, one flat sentence, nothing explained. The signature format and the cheapest to produce.
daily · post
The Blender
Something of his, destroyed on a kitchen counter with the calm of someone unloading a dishwasher. A watch in a blender, a shirt in a bin, cufflinks going into the fountain. She is often only a hand in the frame; the object is the subject and the caption is the verdict. The most shareable thing the account makes.
weekly · post
The Girls
The friends. Nobody posing, everybody photographed. The proof that the world is real rather than staged.
weekly · carousel
The Riad
One riad, one outfit, many frames — the courtyard, the roof, the stairs, the pool, the doorway. The equivalent of Hadley's same-bikini run, in tilework instead of teak.
weekly · carousel
The Table
Dinner as content. Overhead tagines, Paris café tables, a rooftop at the hour the light goes. She is rarely in these.
daily · post
The Verdict
One flat sentence about men as a category, over a photograph of something expensive and entirely unrelated. The photograph never illustrates the caption — that mismatch is the format.
daily · post
The company
Nour
The one from Casablanca
Twenty-eight, an actual architect, the only one with a real job and real opinions. Deadpan, faster than everyone, the person Aliya defers to. Appears in half the frames and posts nothing herself.
Yasmine
The Paris one
Twenty-six, French-Algerian, works in fashion in a way nobody has established. Late to everything, forgiven every time, has better taste than the rest of them combined.
Dana
The Beirut one
Thirty, loud, magnificent, knows every restaurant on the coast and half the people in them. The one who makes the plans everyone pretends they made together.
The voice notes
The unseen fifth
Never photographed, constantly referenced. Where the plans are made and the real opinions live. Aliya quotes them selectively.
Aliya Tazi is not a real person.
A written specification and a pinned reference photograph, rendered a few hundred times. Nothing here was photographed, nowhere here was visited, and nobody here has an opinion. Every line is a joke that someone wrote.